Title: Dog Eat Dog<\/p>\n\n\n\n
Genre: Horror, Puzzle<\/p>\n\n\n\n
Hook: Survival isn’t about you<\/em>.<\/p>\n\n\n\n Anchor:<\/p>\n\n\n\n The player\u2019s only motivation is to fetch items for their injured owner, who is slowly dying:<\/p>\n\n\n\n (Josh)<\/p>\n\n\n\n In Dog Eat Dog, you play as a West Highland Terrier navigating the aftermath of an apocalypse. Instead of combat or confrontation, the core gameplay centres on survival, problem-solving, and the bond between the dog and its owner. The story unfolds in an abandoned house that slowly reveals the disaster outside.<\/p>\n\n\n\n Your main goal is to help your owner by finding and delivering important items: food, medicine, tools, and personal belongings found throughout the house. Every task is shaped by the dog\u2019s abilities and challenges, turning ordinary objects into puzzles when viewed from a dog’s perspective. Opening doors, climbing on furniture, or carrying things all require a unique perspective.<\/p>\n\n\n\n The game\u2019s camera sticks to the dog\u2019s perspective, keeping everything low to the ground and drawing you into the dog’s world. This view creates tension as the house changes from a safe spot to a place of uncertainty. The setting is built through sound design, shadows, and hidden corners, with a focus on unease rather than violence.<\/p>\n\n\n\n The visuals use a painted art style to bring life and personality to the world, in contrast to the game\u2019s darker themes. Environmental storytelling, like damaged rooms or forgotten belongings, gives players a sense of time and loss without relying on direct dialogue.<\/p>\n\n\n\n Dog Eat Dog stands out by letting you experience a story from a non-human standpoint. It blends environmental puzzles, controls centred around a dog\u2019s abilities, and an emotionally driven narrative to explore loyalty, dependence, and survival from a fresh perspective.<\/p>\n\n\n\n Indiana<\/strong><\/p>\n\n\n\n My primary goal will be as project manager: programming the core gameplay loop, providing art and narrative direction, overseeing Josh\u2019s work on puzzle and level design, and providing input where needed.<\/p>\n\n\n\n I will be working on the following:<\/p>\n\n\n\n \u201cWhy make this game?\u201d<\/p>\n\n\n\n I wanted to create a game inspired by some of my own favourites (such as Stray, Inside, and Little Nightmares) that have fun, exploration and physics-based puzzles set in a dark, apocalyptic world. This project would also allow me to indulge in a 3D oriented design, as well as expand my technical and programming skills. This will be a very tech-focused game, so I\u2019m happy I get to work on it!<\/p>\n\n\n\n Josh<\/strong><\/p>\n\n\n\n I really enjoyed Indiana\u2019s original game concept, and I thought I could expand on the project’s puzzle and level design by drawing on my own understanding and further study of these topics to create a more interesting game.<\/p>\n\n\n\n Why Dog Eat Dog?<\/strong><\/p>\n\n\n\n For me (Josh), Dog Eat Dog, originally called Dog vs World, stood out as a game with real potential. Indiana\u2019s early Unity prototype demonstrated both technical skill and creativity, providing the grounds for an engaging puzzle game. I saw an opportunity to contribute my own abilities and build on a strong foundation. While I enjoyed developing my own ideas, they ultimately felt too far-fetched for this project\u2019s timeline, and I knew I wouldn\u2019t be able to complete them on my own.<\/p>\n\n\n\n (By Indiana)<\/p>\n\n\n\n Game Engine:<\/p>\n\n\n\n Unity<\/p>\n\n\n\n The Mechanics:<\/p>\n\n\n\n Game mechanics for the player character should stay relatively simple, with walk, run, bite, drag, and bark mechanics for movement and manipulating the world around them. The camera movement switches based on button input, allowing players to become more thoughtful of the room they\u2019re in and how to solve the puzzle from multiple angles.<\/p>\n\n\n\n Platform: <\/p>\n\n\n\n PC<\/p>\n\n\n\n Controls: <\/p>\n\n\n\n Mouse and keyboard<\/p>\n\n\n\n <\/p>\n\n\n\n \u200bCore Gameplay Systems:<\/strong> \u200bWin\/fail state:<\/strong><\/p>\n\n\n\n Win State: Retrieving all 3 items and getting them to your owner.<\/p>\n\n\n\n Fail State: Being unable to retrieve the 3 items, or give them to your owner.<\/p>\n\n\n\n Narrative<\/strong><\/p>\n\n\n\n (By Indiana)<\/p>\n\n\n\n \u200bOverview:<\/strong><\/p>\n\n\n\n Dog Eat Dog follows a straightforward story: as you complete fetch quests, the narrative slowly unfolds into a bittersweet horror. The owner transforms into a zombie, but the loyal dog remains faithfully by their side, never realising what has happened.<\/p>\n\n\n\n \u200bProgression:<\/strong><\/p>\n\n\n\n \u200bOpening cutscene:<\/p>\n\n\n\n The player character and their owner stumble into the house, where the owner collapses onto the couch. The owner asks the player character to fetch some bandages. Gameplay opens up.<\/p>\n\n\n\n \u200bMission 1: Fetch bandages<\/p>\n\n\n\n Upon completion, the owner puts the bandages on and takes the pills, which immediately become bloody. Their appearance visibly worsens, as if they\u2019re becoming sick. They ask if you can bring them some water, and maybe something to eat.<\/p>\n\n\n\n \u200bMission 2: Fetch food<\/p>\n\n\n\n Upon completion, the owner only takes a few bites and discards the rest. Their appearance worsens further, and now their skin is starting to decay. Now they ask for a weapon to defend themselves.<\/p>\n\n\n\n \u200bMission 3: Fetch a weapon.<\/p>\n\n\n\n Upon completion, the owner has fully turned into a zombie. When they take the last item, the end cutscene begins: they take the weapon and get to their feet, and begin to walk out the door to join the rest of the hoard. The dog, none the wiser, trots after.<\/p>\n\n\n\n (By Josh)<\/p>\n\n\n\n \u200bEnvironment Concepts<\/strong><\/p>\n\n\n\n The environments in Dog Eat Dog<\/em> are entirely contained within a single house, grounding the level design in familiar spaces. This approach allows us to draw inspiration from real homes with kitchens, living rooms, hallways, and bedrooms, and then reinterpret them through the game\u2019s themes and mechanics. Designing levels based on real-world spaces also helps ensure that puzzles feel intuitive, as players already understand how these environments are normally used, even if they must interact with them as a dog.<\/p>\n\n\n\n To support the apocalyptic setting, these spaces will be stripped of signs of life. Furniture may be damaged or overturned, rooms may feel abandoned or neglected, and personal items will be left behind without context. The goal is to make the house feel empty and unsettling, while still recognisably human. This contrast helps reinforce the sense of isolation and allows the environment to tell part of the story without relying on exposition.<\/p>\n\n\n\n Visually, the game will use a stylised, painted art style to balance warmth and discomfort. Colour and lighting play an important role in defining the atmosphere, with muted tones, soft lighting, and areas of shadow used to create tension and guide player movement. Games such as Stray<\/em> are a key influence on colour palette and environment design, particularly in how stylisation is used to create emotional spaces rather than realistic ones.<\/p>\n\n\n\n At the same time, Little Nightmares<\/em> serves as a strong reference for the more unsettling aspects of the environment design. The use of exaggerated proportions, heavy shadows, and distorted spaces helps transform familiar household locations into places that feel unsafe or unfamiliar. By combining these influences, Dog Eat Dog<\/em> aims to create environments that feel grounded and believable, while still supporting the game\u2019s horror elements and emotional tone.<\/p>\n\n\n\n \u200b<\/p>\n\n\n\n The dog, a Westie, is designed to feel sturdy, loyal, and expressive. Its proportions are slightly stylised to emphasise its strength and resilience, while still allowing for clear body language and readable movement during gameplay. Subtle details such as posture, ear position, and tail movement convey emotion, helping the player understand the dog\u2019s state without relying on dialogue.<\/p>\n\n\n\n The human character is designed to appear physically and emotionally worn down. Their clothing is practical, damaged, and layered, suggesting long-term struggle rather than preparedness. Injuries and tired body language reinforce their dependence on the dog, visually supporting the gameplay loop where the player takes on a supportive role.<\/p>\n\n\n\n Together, the two designs are intended to communicate their bond and shared vulnerability, reinforcing the game’s emotional core while remaining visually simple and readable within the painted art style.<\/p>\n\n\n\n Fonts are crucial in UI design because they shape how players interact with the game world. The right font not only ensures readability but also reinforces the game\u2019s tone, atmosphere, and identity.<\/p>\n\n\n\n A clean, modern typeface can make puzzle mechanics feel intuitive and logical, while a whimsical or stylised font can enhance a sense of fun and creativity.<\/p>\n\n\n\n Consistent typography helps guide players through menus, instructions, and feedback without distraction, keeping them immersed in the experience. Ultimately, a well-chosen font becomes part of the storytelling, subtly supporting gameplay, emotion, and overall player engagement.<\/p>\n\n\n\n Each of these fonts offers a distinct personality that can shape the tone of a puzzle game\u2019s interface. Nunito<\/strong> provides a smooth, rounded look that feels friendly and approachable, ideal for casual or family-oriented games.<\/p>\n\n\n\n Rubik<\/strong> balances geometric precision with warmth, making it versatile for modern, clean UI layouts.<\/p>\n\n\n\n Raleway<\/strong> adds a touch of sophistication with its elegant lines, suitable for more refined or minimalist designs.<\/p>\n\n\n\n Baloo<\/strong> and Fredoka<\/strong> both bring playful energy through their bold, rounded forms, perfect for colourful or lighthearted puzzle experiences.<\/p>\n\n\n\n Quicksand<\/strong> offers a soft, contemporary feel that maintains clarity across different screen sizes, while Comfortaa<\/strong> combines geometric structure with a welcoming tone, bridging the gap between fun and professionalism.<\/p>\n\n\n\n Buttons<\/strong><\/p>\n\n\n\n The generic Unreal Engine coconut buttons are a good place to look for how the UI might look in-game. simple design with a unique font, most likely slightly translucent but visible enough so players can still see and understand how to interact with the UI.Sound and Music Direction<\/strong><\/p>\n\n\n\n \u200bGame music and sound effects play a critical role in shaping how a video game feels and how its story is experienced by the player. Unlike visuals or mechanics, sound works on a deeper level, dictating emotions, creating tension, and giving meaning to a player’s actions. Music can signal danger, safety, sadness, or hope, while sound effects ground the player in the world by making it feel alive and reactive. Together, they help change a game from a set of interactive systems into an emotive experience, reinforcing narrative themes.<\/p>\n\n\n\n In our zombie-themed game, quiet, eerie sounds are especially effective at creating a creepy, unsettling atmosphere. Instead of relying on constant music, silence and minimal audio heighten the player\u2019s awareness of their surroundings. Subtle ambient sounds, such as distant groans, wind through abandoned spaces, or the faint scrape of movement, keep players on edge, suggesting threats that may or may not be there. This uncertainty mirrors the fear and paranoia central to zombie narratives, where danger often comes unexpectedly, and survival depends on caution.<\/p>\n\n\n\n These sound choices also help tell the story of a world that has fallen apart. The lack of a strong musical presence can make environments feel empty and lifeless, reinforcing themes of isolation and decay. When music or louder sound cues do appear, they become more impactful, marking moments of danger or emotional significance. By using quiet, eerie audio design, your game lets players feel the horror rather than just see it, making the zombie-infested world feel more immersive and emotionally resonant.<\/p>\n\n\n\n Sound and Music Direction<\/strong><\/p>\n\n\n\n \u200bGame music and sound effects play a critical role in shaping how a video game feels and how its story is experienced by the player. Unlike visuals or mechanics, sound works on a deeper level, dictating emotions, creating tension, and giving meaning to a player’s actions. Music can signal danger, safety, sadness, or hope, while sound effects ground the player in the world by making it feel alive and reactive. Together, they help change a game from a set of interactive systems into an emotive experience, reinforcing narrative themes.<\/p>\n\n\n\n In our zombie-themed game, quiet, eerie sounds are especially effective at creating a creepy, unsettling atmosphere. Instead of relying on constant music, silence and minimal audio heighten the player\u2019s awareness of their surroundings. Subtle ambient sounds, such as distant groans, wind through abandoned spaces, or the faint scrape of movement, keep players on edge, suggesting threats that may or may not be there. This uncertainty mirrors the fear and paranoia central to zombie narratives, where danger often comes unexpectedly, and survival depends on caution.<\/p>\n\n\n\n These sound choices also help tell the story of a world that has fallen apart. The lack of a strong musical presence can make environments feel empty and lifeless, reinforcing themes of isolation and decay. When music or louder sound cues do appear, they become more impactful, marking moments of danger or emotional significance. By using quiet, eerie audio design, your game lets players feel the horror rather than just see it, making the zombie-infested world feel more immersive and emotionally resonant.<\/p>\n\n\n\n (By Josh)<\/p>\n\n\n\n Target Audience<\/strong><\/p>\n\n\n\n Dog Eat Dog<\/em> is aimed at players who enjoy narratively-driven games that focus on atmosphere, emotional storytelling, and environmental puzzles. The game is particularly suited to players who prefer slower, more thoughtful gameplay that encourages exploration and puzzle-solving.<\/p>\n\n\n\n The primary audience includes fans of indie horror and puzzle games, especially those who favour psychological or atmospheric horror over graphic or action-heavy experiences. Players interested in unique perspectives and unconventional characters may also be drawn to the experience, as playing from a dog’s perspective offers a fresh way to interact with familiar environments.<\/p>\n\n\n\n Overall, Dog Eat Dog<\/em> is designed for a teen-to-adult <\/strong>audience (approximately 16+) who enjoy experimental indie titles that combine tension, emotion, and innovative mechanics within the puzzle-horror genre.<\/p>\n\n\n\n Competitio<\/strong>n<\/p>\n\n\n\n Genre & Tone:<\/strong><\/p>\n\n\n\n Silt<\/em> is a surreal underwater puzzle-adventure that leans into atmospheric horror, with a monochrome aesthetic and eerie world design. Players explore deep ocean environments by possessing sea creatures to solve puzzles and advance through the game\u2019s strange depths.<\/p>\n\n\n\n Gameplay Focus:<\/strong><\/p>\n\n\n\n The core mechanics revolve around puzzle-solving through creature possession and environmental exploration, with minimal UI and handholding. Its horror elements emerge from tone and visual design rather than jump scares.<\/p>\n\n\n\n Comparison to <\/strong>Dog Eat Dog<\/em><\/strong>:<\/strong><\/p>\n\n\n\n Both Silt<\/em> and Dog Eat Dog<\/em> sit within narrative-driven puzzle genres with atmospheric elements. Dog Eat Dog<\/em> shares the emphasis on environmental interaction and exploration, but it shifts the perspective to a land-based setting and introduces a distinct protagonist role as a dog, which influences movement and problem-solving in ways Silt<\/em> does not. Dog Eat Dog<\/em> also blends horror with emotional storytelling grounded in the relationship between the dog and its owner, whereas Silt<\/em> focuses on mystery and mood in a more abstract sense.<\/p>\n\n\n\n Market Position:<\/strong><\/p>\n\n\n\n Silt<\/em> appeals to players who enjoy puzzle exploration with psychological or surreal tones, often comparing favorably to minimalist titles like Limbo<\/em> and Inside<\/em>. Dog Eat Dog<\/em>, while atmospheric, pairs this with a stronger narrative hook and more relatable emotional motivation.<\/p>\n\n\n\n \u200b<\/p>\n\n\n\n Genre & Tone:<\/strong><\/p>\n\n\n\n Stray<\/em> is a third-person adventure game where players control a stray cat navigating a ruined city inhabited by robots and hostile creatures. The narrative centres on survival and discovery as the cat seeks a way back to the surface.<\/p>\n\n\n\n Gameplay Focus:<\/strong><\/p>\n\n\n\n Exploration, environmental interaction, light stealth, and occasional evasion of enemies define Stray<\/em>\u2019s gameplay. There\u2019s a stronger emphasis on worldbuilding and narrative progression through interactions with the environment and supporting characters.<\/p>\n\n\n\n Comparison to <\/strong>Dog Eat Dog<\/em><\/strong>:<\/strong><\/p>\n\n\n\n Both games share non-human protagonists and emphasise exploration from an animal\u2019s perspective. However, Stray<\/em> leans more toward traditional adventure mechanics, featuring light combat and evasion gameplay in a heavily narrativised city\/world. Dog Eat Dog<\/em> focuses on puzzle mechanics tied to the dog\u2019s physical limitations, and its horror elements derive from the confined, deteriorating house and the vulnerable relationship with the injured owner.<\/p>\n\n\n\n This situates Dog Eat Dog<\/em> closer to Stray<\/em> in terms of emotional engagement, but with a different focus on puzzle-based progression rather than stealth or combat avoidance.<\/p>\n\n\n\n Genre & Tone:<\/strong> <\/p>\n\n\n\n Little Kitty, Big City<\/em> is a lighthearted adventure in which players control a lost city cat as it seeks its way home, engaging in quests and interactions in a vibrant urban world. Its tone is playful and warm rather than tense or dramatic.<\/p>\n\n\n\n Gameplay Focus:<\/strong> <\/p>\n\n\n\n Exploration, item collection, interaction with other animals and humans, and completion of small side quests. Unlike Stray<\/em>, Little Kitty<\/em> is generally danger-free, focusing on freedom and discovery rather than survival.<\/p>\n\n\n\n Comparison to Dog Eat Dog<\/em>:<\/strong> <\/p>\n\n\n\n Little Kitty, Big City<\/em> attracts players who enjoy casual, fun animal-centric gameplay with freedom and charm. Dog Eat Dog<\/em> contrasts strongly here: it combines emotional stakes and tension with puzzle challenges and atmospheric horror. While both feature non-human characters and exploration, Dog Eat Dog<\/em> targets an audience seeking deeper narrative engagement and environmental challenge rather than carefree exploration and mischief.<\/p>\n\n\n\n Our Audience<\/strong><\/p>\n\n\n\n PEGI 16, ESRB \u2013 Teen:<\/strong><\/p>\n\n\n\n Dog Eat Dog may feature realistic, sustained violence against human characters, including depictions of blood and injury. Some sequences contain intense horror or strong, unsettling imagery that reflects the game\u2019s mature themes.<\/p>\n\n\n\n Short Experience<\/strong><\/p>\n\n\n\n The game is designed to last between 15 and 30 minutes, depending on how quickly you solve the puzzles.<\/p>\n\n\n\n Unique Perspective<\/strong><\/p>\n\n\n\n What truly sets Dog Eat Dog apart is the opportunity to experience the world from a dog\u2019s point of view. The innovative camera system puts you at ground level, offering a fresh perspective that shapes both exploration and puzzle-solving, making the experience feel genuinely unique among puzzle and horror games.<\/p>\n\n\n\n (By Indiana)<\/p>\n\n\n\n PHASE 1: THE FOUNDATION<\/p>\n\n\n\n \u200bThe goal of this phase is to establish the project’s foundation and mechanics. It may not be the highest quality, but creates a good baseline for in case we run out of time iterating on any specific part. Deliverables for this phase should be: mechanics for the dog walking, running, and grabbing, and a basic untextured 3D modelled layout of the house.<\/p>\n\n\n\n \u200bWEEK 1<\/p>\n\n\n\n WEEK 2<\/p>\n\n\n\n WEEK 3<\/p>\n\n\n\n WEEK 4<\/p>\n\n\n\n PHASE 2: THE GAME LOOP<\/p>\n\n\n\n \u200bThe goal of this phase is to create the fetch quests based on the foundation of the first phase. This should create the rest of the game, if not to a perfect standard, then at least to have something to show. Deliverables of this phase should be: completion of 3 fetch quests, and the bulk of the 3D modelling\/texturing done, with the exception of additional props. However, so long as we have just one fetch quest, the game will have a complete game loop and work.<\/p>\n\n\n\n \u200bWEEK 5<\/p>\n\n\n\n WEEK 6<\/p>\n\n\n\n WEEK 7<\/p>\n\n\n\n WEEK 8<\/p>\n\n\n\n PHASE 3: THE DETAILS<\/p>\n\n\n\n \u200bThis phase is to build upon what should hopefully, at this point, be a functioning game, if not a perfect one. Much of this will be determined based on what we are able to accomplish in the previous weeks. Deliverables should be: UI, sound design, props, and bug fixes.<\/p>\n\n\n\n \u200bWEEK 9<\/p>\n\n\n\n WEEK 10<\/p>\n\n\n\n WEEK 11<\/p>\n\n\n\n\n
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Game Overview<\/h2>\n\n\n\n
Core Gameplay Loop<\/h2>\n\n\n\n
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<\/figure>\n\n\n\nThe Team<\/strong><\/h2>\n\n\n\n
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Technical Specifications<\/strong><\/h2>\n\n\n\n
\u200bPlatform and Controls:<\/strong><\/h2>\n\n\n\n
Input<\/td> Action<\/td><\/tr> W \/ A \/ S \/ D<\/td> Player movement<\/td><\/tr> E<\/td> Bite \/ Let Go<\/td><\/tr> X \/ C<\/td> Rotate Camera Left \/ Right<\/td><\/tr> Spacebar<\/td> Jump<\/td><\/tr> B<\/td> Bark<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n <\/p>\n\n\n\n
Art Direction<\/strong><\/h2>\n\n\n\n
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<\/figure>\n\n\n\nCharacter Concepts<\/strong><\/h3>\n\n\n\n
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<\/figure>\n\n\n\nUI<\/strong><\/h3>\n\n\n\n
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<\/figure>\n\n\n\nTarget Audience\/Competition<\/strong><\/h2>\n\n\n\n
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<\/figure>\n\n\n\nSilt<\/strong><\/h3>\n\n\n\n
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<\/figure>\n\n\n\nStray<\/strong><\/h3>\n\n\n\n
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<\/figure>\n\n\n\nLittle Kitty, Big City<\/strong><\/h3>\n\n\n\n
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<\/figure>\n\n\n\nAge<\/td> 18-30<\/td><\/tr> Sex<\/td> Any<\/td><\/tr> Education level<\/td> Bachelors degree<\/td><\/tr> Income<\/td> \u00a325,000-\u00a330,000<\/td><\/tr> Favourite games<\/td> Stray, Little Nightmares, Inside<\/td><\/tr> Hobbies \/ Interests<\/td> Pets, <\/td><\/tr> Personality<\/td> Curious, empathetic, determind<\/td><\/tr> Game values<\/td> Appreciates horror through atmosphere and narrative rather than jumpscares and shock value.<\/td><\/tr> Platform<\/td> PC<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n Project Structure<\/strong><\/h1>\n\n\n\n
Schedule<\/strong><\/h2>\n\n\n\n
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